Winterhawk Bluegrass Festival
Workshop Stage
Rothvoss Farm
Ancramdale, NY
July 17, 1993

Source: Soundboard > Sony TC-D5M Cassette Maxell MX-S  90 & 100  min. Master Tapes
Transfer: Nakamichi BX-100 > Audiophile 2496 > WaveLab 5.01 >
CD Wave Editor > EAC > Flac  April 23-26, 2006
Recorded, Transfers and Edits by Bill Koucky



1:00 pm Saturday 7/17/1993
“Technical Banjo”
Bill Keith
Peter Wernick
Steve Lurvaur
Bill Evans

Disc 1		59:46
1.	Intros
2.	Lonesome Road Blues
3.	Q & A Experimental Banjo, Bill Keith’s Style
4.	Flaparrette 
5.	Pete Wernick’s Style Talk About “On A Roll”
6.	Frank’s Blues
7.	Q & A
8.	Enter Bill Evans-Winterhawk Scholarship Fund Raffle 
9.	Clarinet Polka
10.	Q & A
11.	 ?
12.	Talk
13.	Old Hickory
14.	Thanks….

2:00 pm Saturday 7/17/1993
“Guitar Pickin’” Guitar Workshop

Norman Blake
Nancy Blake
Charles Sawtelle
Russ Barenberg

Disc 2		46:12
1.	Intros
2.	Untitled Waltz
3.	Q & A 
4.	Prettiest Little Girl In The County-O
5.	Enter Charles Sawtelle, Q & A
6.	Soldier’s Joy
7.	Q & A
8.	D-18 Song 
9.	Thanks….


6:00 pm Saturday 7/17/1993
“Bass & Beyond” String Bass Workshop
Edgar Meyer
with Russ Barenberg

Disc 3		45:50
1.	Bass Solo & Tuning
2.	Beyond Disturbance
3.	Q & A
4.	Excerpts from “Amalgamations From Solo Bass”
5.	Enter Russ Barenberg
6.	O Gonda Moore
7.	Q & A
8.	Russ Tune? 
9.	Thanks….

7:00 pm Saturday 7/17/1993
“The Jerry Douglas & Mike Auldridge Slide Show”
with Russ Barenberg & Edgar Meyer

Disc 4		55:39
1.	Intro, Mike Auldridge Couldn’t Make It So We’re Gonna Play 
2.	A New Day Melody
3.	Q & A
4.	The Travels Of Mr. Hulot
5.	Big Sciota
6.	Q & A
7.	A Peaceful Return
8.	Q & A
9.	Pushed Too Far
10.	Thanks For Coming, Intros
11.	Cincinnati Rag

Notes: These tapes were transferred @ 24 bit / 44.1 into WaveLab and normalized to 99%, 
some one channel at a time and some stereo linked. They were then converted to 16 bit, 
tracked and then burned to disc. Due to tape lengths and the fact that I was recording 
off the main stage at the same time and dubbing the Dahlonega DATs, there are incomplete
sets. The cuts have been spliced without cross fades; the beginnings and ends of the 
sets have fades in and out. If you listen closely it’s not difficult to hear the music 
and cheers from the main stage bleeding over through the stage mics. These recordings 
have been kept raw to preserve their integrity, are unique and will be a great addition
 to bluegrass and Winterhawk lovers’ collections. Enjoy.