Tut Taylor Archive Reel #196 is labeled "John, Curtis, Tut, Asheville, 1965" and features Tut playing with a number of others, perhaps Curtis Burch who later went on to play in the Newgrass Revival.  I don't believe that "John" is John Hartford.  Asheville, NC 1965-possibly the Asheville Folk Festival.
--Mitchell Wittenberg

SPPS Tut Taylor Archive Reel #196 Disc A Tut Taylor Bluegrass Jam Asheville Folk Festival (?)
Asheville, NC 1965
1. Instrumental (snippet)(x)...Instrumental (?)
2. ...
3. Train Wreck (1)
4. Train Wreck (2)
5. Train Wreck (3)
6. Train Wreck (4)
7. Train Wreck (5)
8. Train Wreck (6)
9. Train Wreck (7)
10. Train Wreck (8)
11. Train Wreck (9)
12. Train Wreck (10)
13. Instrumental (?)
14. Cumberland Gap (1)
15. Cumberland Gap (2)
16. Cumberland Gap (3)
17. Cumberland Gap (4)
18. Buffalo Gals
19. My Grandfather's Clock
20. Instrumental (?)
21. Instrumental (?)
...Instrumental (?)
SPPS Tut Taylor Archive Reel #196 Disc B
Tut Taylor Bluegrass Jam Asheville Folk Festival (?) Asheville, NC 1965
1. Instrumental(?)(#21 from Disc A continued)...Cripple Creek...Instrumental(?)
2. Billy in the Lowground
3. Instrumental (?) (1) 
4. Instrumental (?) (2)...Instrumental (?)...Steel Guitar Rag
5. Old Joe Clark
6. Dill Pickles Rag
7. Tennessee Dobro Works
8. Sleepy Head
9. Instrumental (?)
10. False-Hearted Lover
11. ...
12. Black Ridge Ramble
13. ...
14. Picking Peanuts...Instrumental (?)
15. Instrumental (?)
16. Westgate (1)
17. ...
18. Westgate (2)
19. Golden Slippers
20. Bluegrass Special (?)...Get Up John (1)
21. Get Up John (2)
22. Black Mountain Rag
23. Lost Indians
24. (Unknown Song) (1)...Instrumental (?)
25. (Unknown Song) (2)
26. Instrumental (?)
27. Little Green Pill (x)...(Snippet of #26)(x)

	The tape is a 7.5 inch per second mono recording on side A and 3.75 inch
per second mono recording on side B.  The acetate reel was played on a
modified Revox A77 reel-to-reel machine with a Reutelhuber custom designed and 
built tape head preamplifier incorporating 2003 era technology and components
including all metal film resistors, polypropelene coupling capacitors, and low ESR 
electrolytic supply bypass capacitors.  The resulting analog signal was digitized 
by a Mytek Digital 8X96 analog to digital converter using Steinberg Nuendo as the 
recording software and saved as a 24 bit 48 kHz wave file.  

	Post processing and was done by David Avery with Nuendo using the 
following Waves Plugins: Q10, X-Hum, S1 Shuffler and L3.  The file was dithered
down to a 16 bit/44.1kHz wave file.


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